This is the second article in my Quad 405/405-2 series. This time I’ve reviewed the legendary Quad 405-2. Read on to find out why so many people still love this great amplifier.
For restoration details, check out my Quad 405 restoration article.
What an incredible little amplifier the Quad 405 is, even 40+ years later. Tellingly, Quad 405 and 405-2 power amplifiers are most loved by those who prioritise listening to music over controls, blingy meters and gear bragging.
I’m not bagging power meters, I love them, but the 405 is a study in elegant, understated design. It’s a true champion of the ‘less is more’ philosophy, an amplifier that simply gets out of the way and plays music. Surely this is what every true hi-fi lover wants in an amplifier..?
Quad 405 vs 405-2
The Quad 405 and 405-2 are almost identical, compact, heavy, amplifiers. Both punch out 100 watts per channel, into 8 ohms. Where they differ is in their ability to deliver current into lower impedances.
Specifically, Quad modified the current limiting circuitry of 405-2 to be a little less aggressive. There’s a wider power envelope with the 405-2, allowing it to better drive lower impedance loads. If you own current-hungry speakers, or those with a nominal 4 ohm impedance, a 405-2 is the better option. Quad also implemented various iterative improvements over a long period. In my opinion, this makes the later amplifiers sound and perform slightly better.
If you are interested in a little more technical detail, I recently overhauled a Quad 405-2. You can read about that here. You can also skip to the ‘Further Reading’ section at the end of this article.
Quad’s legendary design engineer, Peter Walker, utilised a principle called ‘feedforward error correction’ in the 405 design. He wrote a paper about it, which you can read here.
As Stereophile pointed out in their review of the original 405:
“This is something we don’t see too often: an entirely new approach to power amplifier design. As Quad points out in its literature for the 405, class-A operation of transistors provides the lowest distortion, but drastically limits the amount of power an output transistor can deliver without overheating. (Most transistor amps use class-AB output operation, in which each of a pair of power transistors handles part of each signal cycle and shuts down during the other part.
Imperfect synchronism between the two halves causes the familiar “crossover distortion,” which accounts for most solid-state sound. In class-A operation, each output transistor draws current though the entirety of each signal cycle, eliminating the crossover transition but doubling the amount of time current is drawn, and thus tending to cause the transistor to heat up more.)
In “current dumping,” a low-powered, low-distortion class-A amplifier is used to control the amount of current passing through a pair of heavy-duty “dumping” transistors, and it is the latter which provide the driving power (100Wpc) for the speakers.”
Stereophile didn’t particularly like the original 405, but they reviewed the 405-2 much more favourably.
Simple, Elegant Design
The Quad 405 and 405-2 are compact units, measuring just 115 x 340.5 x 195mm, or not many inches. A mass of 9kg (some more pounds) makes this a dense amplifier, heavy for its size. The 405 is also powerful, able to deliver 100 watts per channel, more than enough to drive most speakers. I can’t think of a commercially available amplifier that’s more compact, with fewer parts or with a simpler layout than the Quad 405. Tell me if you know of one, I’d be keen to take a look.
The driver stage consists of two TO-220 devices operating in class-A, the output stage two matched N-channel TO-3 devices, per channel. The driver stage is a very high-quality amplifier, the output amp is the ‘current dumper’ and is a less precise, more robust unit.
The driver and output transistors are thermally coupled to the same block of aluminium. They are also board-mounted, with zero wiring, the whole lot forming an amplifier module. You’ll see this in the images above and below. This design is great for thermally coupling semiconductors, which helps lower distortion. It also minimises superfluous wiring and is an excellent example of clever design.
Two boards make up almost the entire amplifier. Other parts include a very high-quality potted transformer, two 10,000uF filter capacitors, some wiring, a large front-mounted heatsink, an LED and some sockets. As a repairer, I can tell you that the Quad 405 and 405-2 are perhaps the easiest amplifiers to service, ever.
405-2 Specifications (Courtesy of the Hi-Fi Engine)
- Power output: 100 watts per channel into 8Ω (stereo)
- Frequency response: 20Hz to 20kHz
- Total harmonic distortion: 0.05%
- Input sensitivity: 0.5V
- Signal to noise ratio: 96dB
- Speaker load impedance: 4Ω to 16Ω
- Dimensions: 115 x 340.5 x 195mm
- Weight: 9kg
Relaxed, Effortless Sound…
It’s easier to describe this amp’s sound by using an oft-used hi-fi euphemism – it doesn’t really have any. That’s not exactly true, but if you get a good one, you can immediately hear that they are special units. From the moment you switch on a good 405 or 405-2, you’ll enjoy relaxed, effortless and fatigue-free listening.
Overall, I would say the 405 errs on the warmer, mellower side of things, which is good for low-fatigue listening. The Quad 405 also exhibits very low distortion, which you can hear in the very easy, relaxed sound they produce. If you hear a 405 that doesn’t sound super smooth, there’s definitely something wrong with it.
I overhaul a lot of these and whenever I test an overhauled unit, I’m taken by how incredibly good they sound. Evidence comes in the long listening times one can put in with the Quad. The lack of glare, and listener fatigue are really noticeable, very unusual with solid-state gear.
Some describe the 405 as sounding rolled off, but I disagree. To me, it sounds smooth and lacking that edgy quality that many transistor amplifiers possess. Measurements don’t support the claim of a rolled off top-end, but it’s not a wide-bandwidth amplifier by any means. Nor is it likely to blow up like one though either!
Bass is clean and full, but perhaps not the last word in slam or authority. There’s no ‘bass bloom’ here to flatter small speakers though, just clean, accurate bass. Remember though that this amp has just one pair of output devices per channel.
The midrange is warm, detailed and three-dimensional with good source material. This is definitely a strength of the 405-2, like a good valve amplifier perhaps. Sound staging works to enhance this feeling of three-dimensional realism and pinpoint imaging.
Overall, a good, fresh Quad 405 or 405-2 is a beautiful sounding amp. My only criticisms are a slight lack of sparkle and air compared with the very best. This dramatically improves with a series of mods that I now do to these amplifiers though. This, combined with slightly reduced energy in the bottom octave are things that separate this amplifier from the very best I’ve heard in my listening room, like the Krell KSA-150 and BAT VK-500.
This is an easy amplifier to work on. You can have the whole unity completely apart and broken down to board level in minutes. It’s equally quick to reassemble. I can’t think of an amplifier that’s easier to work on. You can even remove a side panel and work on a board whilst still attached to the chassis.
All parts are replaceable with modern equivalents, but factory parts quality is very high. The only issue that is the current limiting sub-boards are no longer available, but even this is no real problem. You can remove them altogether, if you like to operate with no protection! The amp will work fine without them. Better still, they’ve been reverse engineered and are available from Dada Electronics for example.
Furthermore, the popularity of the Quad 405 and 405-2 has spurred on the development of a range of modern replacement modules. Some are rubbish, like these cheap Chinese boards found on eBay for example. But others look amazing, like the designed to be what Quad would have perhaps made, had they refined the design to the nth degree.
People often ask me questions about “what would go best with this” and so on. I run my Quad 405-2 with a pair of Yamaha NS-1000M monitors. This is an excellent match, the slightly mellower sound of the Quad 405-2 is a great partner to the airy clarity of the wonderful NS-1000. Many will also be aware of the legendary Quad electrostatic speakers like the ESL-57 and later ESL-63. Quad designed the 405 and 405-2 to run these speakers, so this is also an excellent match, a no-brainer if you own 57’s or 63’s.
Bang for Your Buck
Quad 405’s and 405-2’s currently sell for around $500 – 600 AUD. Seriously, this would be a great deal even at $1500, so these modest amplifiers are a fabulous buy. Seriously, what else can you get that sounds good for 500 bucks? And the best thing is how understated they are, like a fine piece of 1950’s English industrial art.
You will likely need to get your 405 or 405-2 refreshed if you buy one. Many are running original capacitors and parts, a testament to their durability, but they can be dramatically improved. This is something I’ve been doing now for a while now, with great results. A full restoration is an even better idea.
The Stereophile reviews of the 405 and 405-2 are good places to start to get your head around what people were thinking when these amplifiers were released. There is a great 405 review and some background info, here.
Positive Feedback has a great piece, with lots of mods and other technical details here. Yet another page lists more modifications and upgrades – these amps are so great to work on that people are literally encouraged to play with them!
One of my favourite resources, however, is Keith Snook’s fantastic Quad repository. Keith goes into great detail about his own journey with the 405 and breaks things down into two large and very detailed 405 pages. The first covers the original 405 and its various iterations, the second covers the 405-2.
Keith’s site really is a wealth of information, so I encourage you to visit and spend some time reading and looking at the schematics, which Keith has painstakingly redrawn into one document showing the changes at each version of the board. You’ll also find the service manual along with all revisions and parts lists, very handy indeed.
The Bottom Line
If you are looking for an amp to sooth and reinforce your faith in transistors, I urge you to listen to a Quad 405-2. Better still, grab yourself one to play with on a rainy day, you won’t regret it 🙂