Sold Equipment Gallery 5

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All the equipment and accessories on these pages have been sold but you are welcome to browse. Keep an eye on the store for the latest equipment for sale.


Gorgeous Heavyweight Made-In Japan HMV Music Centre!

Wow, check this out, a rare, made-in-Japan HMV Music Centre, another one-owner piece recently donated and just serviced and prepared for sale.

Update: Sold!

HMV Music Centre

I spent some time sorting out the Japanese Audio Technica turntable included in this one and it now runs at the correct speed and sounds great, easily the best turntable in a music centre that I’ve heard. It has a brand new belt and I’ve serviced the motor, pulley and other bits and pieces, as well as giving the receiver and tape deck and good clean.

Specifications

Adapted from RadioMuseum

  • Notes, HMV Music Centre Model 45254
  • Number of Transistors: 25
  • Wave bands: Broadcast AM and FM
  • Details: Record Player + Cassette Recorder
  • Power type and voltage: Alternating Current (AC) / 240 Volt
  • Loudspeaker: This model requires external speakers, included
  • Material: Wooden case
  • ModelMusic Centre 45254 – His Master’s Voice HMV
  • Shape: Table model, low profile
  • Dimensions (WHD): 600 x 100 x 385 mm / 23.6 x 3.9 x 15.2 inch
  • Power: 15 watts per channel stereo record player with AM/FM radio and cassette deck
  • Fitted with Audio-Technica belt-driven turntable
  • Two-way speaker system incorporating 1 x 6½” and 1 x 2″ speakers in 18½” x 11″ x 8″ enclosures
  • Teak finish
  • Made in Japan
  • Price in the first year of sale: $399.00 AUD
HMV Music Centre
This HMV Music Centre is surprisingly solid and well-made for what it is, nothing like the typical AWA and Pye competition. Then again, it is made in Japan…
HMV Music Centre

All works nicely, except the cassette deck, to be expected at this age. Mechanically the deck is good and it plays tapes, but there is no output, so it needs further work. Given that most people don’t own or play tapes, I’m not going to bother diving deeper into that. The radio and turntable work perfectly.

HMV Music Centre

As mentioned this is a one-owner piece and not the kind of thing I normally sell, but because it is made in Japan and has a quality turntable and build quality, I’ve made an exception. Comes with speakers of course!

HMV Music Centre

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You beauty!

This classic HMV one-owner, made-in-Japan music centre can be yours for just $499!

Update: Sold!


Beautiful Luxman DZ-111 CD Player, Lovely Sounding Player, Just Serviced with a new laser!

UPDATE: sold!

Check out this nice Luxman DZ-111 CD player, just serviced with a new laser and loader drive belt.

These players were excellent-sounding units from around 1990, so another early CD classic. These are heavy players for their size, and very nicely built and easy to service. I had the whole mech out, cleaned, lubricated and with a new belt installed in around an hour.

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Specifications, courtesy of HiFi Engine

Disc format: CD

Digital converter: LC7881C

CD Mechanism: KSS-152A

Frequency response: 50Hz to 20kHz

Dynamic range: 85dB

Signal to Noise Ratio: 100dB

Channel separation: 90dB

Total harmonic distortion: 0.08%

Line output: 2V

Digital outputs: coaxial

Semiconductors: 16 x IC, 21 x transistors, 2 x FET

Dimensions: 438 x 85 x 314mm

Weight: 5.5kg

Luxman DZ-111
New laser on the left, original part on the right
Luxman DZ-111
Luxman DZ-111
Naturally, a new laser requires an electronic calibration, a process most never even consider!
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This lovely Luxman DZ-111 also comes with her original manual, courtesy of her careful previous owner/s.

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This classic and just serviced (November 2024) Luxman DZ-111 CD player can be yours for $295.


Lovely Marantz SR-73 Stereo/Surround Receiver

Yes, we have another affordable and cute little receiver for sale. This one is a pristine Marantz SR-73 receiver with a manual and loop antenna. This one-owner unit is perfect for a second system or someone’s first!

UPDATE: Sold!

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This little beauty is a crazy $250!

UPDATE: Sold!


Incredible, 100% original, one-owner, almost time-capsule quality Kenwood KD-500 direct drive turntable!

This stunning one-owner Kenwood KD-500 comes complete with its as-purchased SME-3009 tonearm and the mega-bonus: a rare Fidelity Research FR-101 moving magnet cartridge! This incredible vintage deck sounds fantastic, check it out below. My apologies for the colour cast in some of these shots BTW, it doesn’t look yellow as you’ll see in many shots.

UPDATE: Four purchase requests received within 2 hours, sold!

Kenwood KD-500
SME-3009
Just beautiful. Note the lighting in some shots makes the deck appear yellowed. See the other images for a better perspective.

This sale is a collaboration between Liquid Audio and Addicted to Audio, one of Perth’s best hi-fi stores. This is something we occasionally do and it works well for everyone, including the customer. Thank you to Dan for finding this beauty!

Kenwood KD-500
SME-3009
The Kenwood KD-500 as she was delivered. This is what the deck looks like in the flesh.

Kenwood KD-500 Specifications

Courtesy of Vinyl Engine

Drive: direct-drive system
Motor: 8-pole 24 slot brushless DC servo motor
Platter: 30cm, 1.5kg aluminium alloy die-cast
Speeds: 33.33 and 45rpm
Wow and flutter: less than 0.03% WRMS
Signal to noise ratio: more than 60dB
Tonearm: static-balance type, s-shaped pipe arm, eia plug-in connector
Effective length: 237mm
Overhang: 15mm
Stylus pressure range: 0 to 4g
Usable cartridge range: 5 to 12g
Dimensions: 502 x 382 x 162mm
Weight: 14.9kg (that’s right, not 5kg, 15kg!)

In terms of service, you’ll already know that a Liquid Audio service is more thorough than most. I’ve cleaned and serviced the motor, a delicate operation utilising a premium synthetic bearing oil. I’ve serviced the switches and controls, reset the master running speeds, and adjusted all the tonearm parameters including lateral balance, azimuth and VTA, arm geometry adjustments that many have no idea how to complete.

Kenwood KD-500
SME-3009
Access to the underneath of a deck like this whilst its running is needed to set deck master running speeds. Again, it doesn’t look yellow in person.
Kenwood KD-500
SME-3009
This is what a proper service involves…
Kenwood KD-500
SME-3009
Along with all the critical tonearm and cartridge alignment parameters. Here, I’m using my genuine SME alignment protractor to set overhang. This was incorrectly set as the deck was.

I’ve written a ton about the Kenwood KD-500 over the years, so check out a couple of these articles for more. Let me say though that you rarely find a KD-500 in this condition, and with the valuable SME-3009 and even rarer now FR-101, it’s a killer combo.

Kenwood KD-500
SME-3009

To say that a deck of this quality crushes new $2,000 turntables is a dramatic understatement. You only have to see and feel a deck like this to know that, and then listen to it for confirmation.

Kenwood KD-500
SME-3009
The amazing and completely original Fidelity Research FR-101 moving magnet cartridge, one of the great magnets from the golden era. Any cartridge can be supplied and fitted of course, at the buyer’s request.
Kenwood KD-500
SME-3009
Perfectly functioning strobe indicates speeds locked to 50Hz mains reference frequency.
Kenwood KD-500
SME-3009
This Kenwood KD-500 will likely give decades more good service, long after the cheap new plastic and cardboard have been sent to the scrap heap. They just don’t make ’em like this any more.
Kenwood KD-500
SME-3009
This stunning KD-500 is ready to go to a new home. This is what the deck looks like BTW.

This just fully serviced, perfect-running, 100% original Kenwood KD-500/SME-3009 combo is now ready for her next owner. The SME-3009 tonearm alone would normally sell for around $1,000. 

I’m asking for $1950 for this complete Kenwood KD-500 turntable package including KD-500, SME-3009, original SME tonearm cable and Fidelity Research FR-101 moving magnet cart.

Naturally, this stunner comes with a 3-month warranty for peace of mind, likely the only KD-500 sold with a warranty in Australia. This is how we roll BTW: no-nonsense, no time-wasting or silly stories, just straightforward business and exceptional equipment for loyal customers who appreciate the difference and don’t want their time wasted either.

If you’re interested in this lovely machine, let me know as I’m sure it won’t hang around. Local sales only.

UPDATE: Four purchase requests received within 2 hours, sold!


Incredible Accuphase C-280V Preamplifier for Sale!

I also delve into my long relationship with Accuphase as a brand and, oh yeah, this stunning end-game preamplifier, MY Accuphase C-280V, is also for sale, details later!

UPDATE: Four purchase offers received within 12 hours, thank you to all interested parties. Sold, thanks George!

For those wondering why I might be selling an endgame Accuphase preamplifier that I’ve only owned for 18 months, the answer is predictably simple: This Accuphase C-280V improved my system so much that I decided to purchase an Accuphase C-290 preamplifier once I found one, a newer and even better-sounding model that matches other pieces in my system. If I could keep both, I would but it’s simply not sensible.

I won’t go into crazy detail here and I will refrain from making this a review post until AFTER selling it, but the Accuphase C-280V is the final iteration of the 280 series of preamplifiers from Accuphase. This began with the game-changing Accuphase C-280 back in 1982, evolving into the Accuphase C-280L in 1987 and then the final iteration, the Accuphase C-280V you see here, in 1990.

Over that time, the build went from crazy compared to just about anything else, with the 18kg Accuphase C-280, to almost insane with my C-280V weighing in at a staggering 25kg! That’s more than most serious amplifiers weigh and as much or more than an entire modern plastic hi-fi system including speakers!!! The crazy build quality and performance of Accuphase gear from this era is just one of many reasons I love it.

Accuphase C-280V
The persimmon wood cabinets these preamplifiers come in are absolutely superb.

Peaking with the Accuphase C-280V in 1990, at a cost of a cool 800,000 Yen, Accuphase changed things slightly with the new C-290, which I’ve just acquired an example of. The Accuphase C-290 has the same ridiculous build, slightly better in the sense that things are simplified a little, but with a separate, optional AD-290 phono preamplifier even better than the one in the C-280V.

All up, the C-290 plus AD-290 phono module cost a staggering 1.1 million Yen back in 1993, around $12,000 AUD. The current equivalent Accuphase C-3900 costs $50,000 AUD, and then you need to buy the C-47 phono preamplifier for $18,000 AUD. Can you see why I’m so fond of legacy Accuphase equipment..?!

Accuphase C-290
Accuphase AD-290
A teaser shot of my 1993 Accuphase C-290/AD-290 combo! Yes, they were building things like this all the way back then. To describe this preamp as ‘dense’ or ‘well-made’ is like saying Clint Eastwood is ‘cool’ or Kate Beckinsale is ‘attractive’… 😉

Features

An Accuphase C-280V is completely unlike any modern hi-fi gear that most consider affordable, but why was the 280 series game-changing? Well the C-280, C-280L and C-280V are dual-mono class A preamplifiers, with the most outrageously over-engineered power supplies and circuit modules you’ll ever see, in mainstream gear anyway.

Accuphase C-280V
Less frequently used controls are hidden behind this lovely metal flap, typical of Accuphase.

The highest-level 280 series came after the Accuphase 200 series, lovely preamps, but nothing like these monsters! Everything is over-engineered. All circuits are push-pull class A, all housed in gorgeous little shielded modules, each with its own power supply and filter capacitors. Switches and controls are the heaviest and most beautifully machined I’ve seen, besides those in other Accuphase gear.

In the C-280V, the last two modules are separate left and right-channel phono preamp circuits. In the C-290 onwards, these were moved into an optional module. The C-280V has four separate transformers, two of which power these dual-mono phono preamplifier modules. I kid you not: each phono module has dedicated filter capacitors and a transformer.

Only Accuphase designs and build things this way with such extraordinary engineering attention to detail, and disregard for cost. These pieces are super expensive, for good reason. The power supply contains 120,000uF of capacitance, far more than most power amplifiers, boards are covered in gold, literally, and almost no expense is spared.

Other features include an ultra-premium conductive plastic volume potentiometer, one of the nicest I’ve seen. The preamp is fully balanced end to end and the phono preamp has adjustable gain and loading for just about any cartridge you would wish to use.

For vinyl lovers, the C-280V is a corker, sounding phenomenal, far better than dedicated phono preamps I’ve compared it to, including the $5,000 AUD Manley Chinook and smashing the over-rated Gold Note PH-10 which is a toy by comparison. It kicks butt with line-level sources too.

Accuphase C-280V
Phono options include a switchable subsonic filter, adjustable gain for low and less low MC output voltages, and adjustable loading for MC carts. This is phono done properly.

Service

Here are a few pictures of my Accuphase C-280V. This example is in very good, almost perfect condition. She’s received some phono preamp repairs in the previous 30 years, but I’ve made all the necessary service adjustments following the factory service procedure. I’ve also cleaned and lubricated where needed, including that monster potentiometer which can get a little stiff with age, and replaced a couple of capacitors in the phono preamp modules.

I should mention that I have a stock of ultra-premium parts including silver mica and polystyrene capacitors for supercharging the phono preamp and other modules in any of the 280 series preamplifiers including the C-280V, should that work be required. I’ve not made those improvements here but the next owner may choose to have that work done. Let’s go!

Accuphase C-280V
Fields of gold are visible on the mainboard, through the wooden chassis.
Accuphase C-280V
First view of the C-280, lid removed, before cleaning. Note the 4 x transformers, 12 x massive filter capacitors, 6 x shielded aluminium boxes and conductive plastic volume pot, front-right. Note also the lack of wiring, all signal switching is done with nitrogen-filled relays. Oddly, one transformer label is crooked, something that seems very out of place here!
Accuphase C-280V
A detail shot showing the transformers and 120,000uF of filter capacitors. You can’t see it but my head is shaking in disbelief even though I own this preamp! Four transformers?! Oh yeah, and those are 8mm thick milled aluminium panels separating everything.
Accuphase C-280V
A detail shot of the six modules and 8mm machined aluminium panel work. You’ll note what each module is for, labelled on these exquisitely machined aluminium lids.
Accuphase C-280V
Told you, these lids are amazing, complete with felt damping to restrain the boards.
Accuphase C-280V
Here we see the mainboard in more detail. Note the gold plating again and exceptionally neat and minimal wiring, gold wire soldering posts, flood-filled board layout for improved noise performance, etc. Someone has worked here, but there is nothing untoward of note.
Accuphase C-280V
A detail shot showing the wiring posts I mentioned and the incredible quality of the wiring and soldering work here. I can assure readers that this is a unique effort from a ‘mainstream’ manufacturer. No one else does it like this.
Accuphase C-280V
Here, I’m preparing the 280V for service work including a closer look at the phono preamp modules. Note the additional substantial local filtering within each module. If you are going to build it properly, this is how you do it, but it’s expensive.
Accuphase C-280V
Here we see the two phono equaliser modules removed from the C-280V chassis and ready for minor work.
Accuphase C-280V
Inside one of the phono modules, we see signs of past work. The equalisation components have been replaced, I have replacements that are even better than the Accuphase factory original parts but I did not have the parts when doing the work you see here and the preamp functions perfectly anyway. Note the ultra-premium Riken gold-legged resistors!
Accuphase C-280V
Here, I’m replacing a couple of electrolytic capacitors with improved parts. Again, note the incredible attention to detail, build, Riken resistors, etc.
Accuphase C-280V
All the module-contained boards are also gold-plated, of course!
Accuphase C-280V
She’s looking good after cleaning and service.
Accuphase C-280V
Ready for final adjustment, here I am about to null all the DC trim points, per factory procedure.
Accuphase C-280V
And we’re done!
Accuphase C-280V
Goodness me she is a beautiful-looking thing, to my eyes anyway!

Results

There’s a great scene in The Chronicles Of Riddick where Riddick (Vin Diesel) says:

“Look, I’m not with everyone here.”

This for me encapsulates Accuphase as a brand. They do things completely differently, have a unique design language and aesthetic, eschew flavour-of-the-month nonsense tech and are a through-and-through hi-fi audio company ONLY. Accuphase truly is not with any of the other mainstream audio brands.

In every way, Accuphase equipment is a cut above almost everything else I’ve ever seen, worked on, owned or listened to, and that’s thousands of pieces of gear, some of them serious high-end stuff, over decades. I’m not messing around here, you guys have seen what I’ve worked on and I’ve been saying this for years. I’m planning on showing it more frequently.

Let me make this easy and tell you that the Accuphase C-280V sounds astonishingly good, even better after this service work. I’ve been blessed to own some lovely sounding preamps and phono preamplifiers over the years but none of them match the performance of the C-280V, except for my new C-290/AD-290 combo.

Compared to my previous Accuphase C-202 and Perreaux SM-2, I heard noticeably more bass, more textural details in bass notes and leading edges, a wider, airier soundstage and a smoother, yet better resolved overall presentation.

Accuphase C-280V

Accuphase C-280V for Sale!As mentioned, I love this stunning, endgame Accuphase C-280V, but my C-290 is better, as I predicted, based on an analysis of the various design elements. For this reason alone, I am selling this almost pristine piece of equipment.

I can assure any potential new owner that one never regrets a purchase like this. Pieces like this C-280V seriously advance any system capable of revealing the improvements available. I was staggered at how much better this C-280V was than my previous C-202, a great-sounding pre. It brought out the best in all the elements of my system, sources especially. It even made me put away my Fidelity Research XF-1 step-up transformers, that’s how good the all-active phono preamp in the C-280V is.

Accuphase C-280V
Accuphase C-280V
It’s genuinely difficult to find a mark on this almost pristine beauty. There are some of course, but they are minute.
Accuphase C-280V
Balanced in and out, multiple single-ended and balanced outputs for use in more complex multi-amp setups and two phono inputs of course, for customers like Tim, who has two Kenwood L-07Ds, the nutter!
Kenwood L-07D
I thought I was a badass having ONE Kenwood L-07DII and a Luxman PD-350. Tim has TWO L-07Ds! I’m proud to say I repaired the dead one and serviced and set up both.

If you would like to own a piece of audio history and one of the finest preamplifiers made, this gorgeous and almost unmarked Accuphase C-280V can be yours for $6,950, serviced and including a 3-month warranty. Local sales only.

If almost seven grand seems like a lot, consider that replacing this C-280V with something equivalent new from Accuphase, like a C-3900, will set you back $50K AUD, plus more for a phono preamp. I reckon that makes older statement pieces like this a bit of a bargain.

Just like the other high-end pieces I’ve sold, I suspect this won’t hang around but let’s see. As always, this is how we do business, no-nonsense, no time-wasting, just straightforward business and exceptional equipment and service for loyal customers who value long-term relationships with those who assist them.

UPDATE: Four purchase offers received within 12 hours, thank you to all interested parties. Sold, thanks, George!


Luxman L-205 Integrated Amplifier

Check out this little beauty, kindly donated by Vlad and ready for a new home!

UPDATE: Sold!

I’ve just completed a service and detail of this great little integrated amplifier and can highly recommend it for smaller systems, second system or first proper system for a youngster.

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Luxman L-205 Specifications

Power output: 40 watts per channel into 8Ω (stereo)

Frequency response: 10Hz to 100kHz

Total harmonic distortion: 0.02%

Input sensitivity: 1.8mV (MM), 160mV (line)

Signal-to-noise ratio: 90dB (MM), 107dB (line)

Dimensions: 453 x 317 x 111mm

Weight: 5.4kg

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Detail showing the new LED ‘power on’ indicator I installed. This will never wear out, unlike the original incandescent lamp.
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Neat, clean, and original condition, apart from three small replacement parts in the power supply which always eventually fail in these 200 series Luxmans.
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This lovely little Luxman L-205 integrated amplifier can be yours for just $395. Or, you can pay more for Chinese rubbish with no pedigree, Bluetooth and guaranteed to fail within 3 years!

UPDATE: Sold!


Gorgeous Overhauled Accuphase P-360 Power Amplifier

UPDATE: Offers received within an hour of listing and SOLD, for considerably more than the asking price!

As you might have noticed if you’ve been following along, I’ve just purchased something a little bit silly and long overdue. For that reason, I have to move some pieces on and this time it’s my current amplifier reference, my just overhauled Accuphase P-360 power amplifier.

Accuphase P-360
What a beautiful thing, only the Japanese can conceive of things like this and only Accuphase can execute them so perfectly like this.

Features

The Accuphase P-30 is a classic class AB bipolar power amplifier, conservatively rated at 200 Watts per channel and boasting some nice features not often seen in premium equipment like this. These include a dedicated headphone amplifier, stepped attenuators, fully balanced and single-ended operation and of course those big, beautiful moving coil power meters.

The P-360 is a more recent design than the P-500 and P-300 series models you see quite a lot of here in Aus, and better too in my opinion. She features the coveted gold power button, indicating that it was part of Accuphases newer, higher-quality tier of equipment. She also features the classic persimmon wood side panels, and they’re perfect by the way!

Accuphase P-360
Nice features hidden behind a beauty flap as is typical of Accuphase. These include a headphone socket for the dedicated headphone amplifier, speaker sector, balanced/unbalanced selector and even a set of RCA inputs for a phone or who knows what!

Top tip for those wanting a super-system: You can bridge these amplifiers so that, if you get a second one, you’ll have 600 Watts per channel and even more authority and grip over any speaker you can connect to them. Madness!

I imported this P-360 last year and have been using and enjoying it immensely since deeply overhauling her immediately after purchase. This thing is a powerhouse, packing a punch and if you read Accuphase’s datasheets, you’ll see that the 200-Watt rating is very conservative. She’ll crank out around 250 Watts per channel before any significant distortion creeps in, but that’s Accuphase for you. They guarantee 200. Cool. I love this approach.

You can read more about the Accuphase P-360 in the product brochure.

Accuphase P-360 Specifications

Courtesy of HiFi Engine

Power output: 200 watts per channel into 8Ω (stereo), 600 watts into 8Ω (mono)

Frequency response: 20Hz to 20kHz

Total harmonic distortion: 0.02%

Damping factor: 300

Gain: 28 dB

Input sensitivity: 1.59V

Signal-to-noise ratio: 120dB

Speaker load impedance: 2Ω to 16Ω

Semiconductors: 10 x IC, 32 x FET, 63 x transistors, 77 x diodes

Dimensions: 475 x 180 x 413mm

Weight: 27.4kg

Year: 1991

Overhaul

I should note that this completely factory-original Accuphase P-360 worked perfectly but sounded dull. She was very dusty and needed a deep clean and some TLC at 30+ years of age. As it turned out and based on some of the parts I tested upon removal, this was a timely overhaul too, because some of the smaller electrolytic capacitors were totally dead.

I replaced all small board-mounted electrolytic capacitors in both amplifier modules and most on the front panel board, added a couple of performance enhancing parts, deep cleaned/washed everything, removed and detailed the front panel and meters, and made all the electronic adjustments. She now looks and sounds a million bucks.

Check the article for all these details!

Accuphase P-360
Toshi, proudly ‘guarding’ my newly arrived Accuphase P-360!
Accuphase P-360
AAAAHHHHHHHHHH! I mean, what even IS this? Where did the last owner live?!
Accuphase P-360
Better, right..?! This is just the beginning.
Accuphase P-360
See what I mean about how this company does things? This is next-level design and neatness and remember I work on a lot of Krell and other serious hi-fi equipment. These output devices by the way are 180V rated parts, 25MHz bandwidth, and have a power rating of 130 Watts EACH! With 14 per channel, each device is operating so comfortably within its safe zone that’s it’s no surprise these amplifiers are reliable.
Accuphase P-360
Part of my cleaning regimen, I always run this process before doing any board re-work in cases like this. You’ll see why customers specifically want me to apply this to their equipment shortly.
Accuphase P-360
Meanwhile, the P-360 chassis receives some attention. You’ll note the large 1000VA toroidal transformer and twin 40,000uF capacitors. Those are big capacitors.
Accuphase P-360
A few of the new parts, these super low impedance, low ESR, 105 degree-rated Japanese capacitors meet/exceed factory specifications and are better than the originals.
Accuphase P-360
And out they came, straightforward work. Date codes reveal that this amplifier was made sometime after April 1991.
Accuphase P-360
The completed boards are ready to assemble back to their heatsinks. This is a wonderfully serviceable design, with no wires to desolder, just screws, connectors and a beautiful fit and finish. You may spot the odd WIMA film cap I’ve used here too, I like to sparingly use parts like this in equipment where it’s warranted.
Accuphase P-360
Nobody else treats and rejuvenates screws. Actually, most repairers just lose them!
Accuphase P-360
I’ve cleaned the meters as well, very, very carefully, using a different regimen. The front panel is drying separately.
Accuphase P-360
The last step in the overhaul process with this Accuphase P-360 involves this board, housing the headphone buffer and some switching and protection circuitry.
Accuphase P-360
And here is what that board looks like now. Nice!
Accuphase P-360
Voila!
Accuphase P-360
And we’re done. Sorry about the occurred meter, courtesy of some over-zealous phone AI!

She is For Sale!

This meticulous and quite involved overhaul includes nearly day of labour, plus parts, a little under $1500 worth of work if I were charging for it. If you followed along, you’ll see why jobs like this do usually take the best part of a day. I know that this attention to detail is rare but it’s worth it with equipment of this calibre and where people simply care about those details, and the results.

Owners often neglect to have overhaul work like this done though, because it costs money and finding people who will really care for your equipment can be hard. Someone with a clue has to do the work, no escaping that, and that will never cost a couple of hundred bucks, as less diligent folks might suggest. If someone tells you this RUN! At least it doesn’t need to be done again for perhaps another 20 or 30 years!

Accuphase P-360
I know I’m a little biased after selecting, overhauling and then using this beauty over the past months, but she is a stunner. She’s dense too at nearly 30kg, heavier than the larger Sony TA-F77ES I’ve just repaired for a customer.

Sonically, the work transformed this P-360, also noted by friends who heard her before and after. She looks and smells a lot cleaner, too. She sounded much sweeter and more open and lively after the overhaul, and the particularly muscular bass this model displays is now even more pronounced. If you love bass texture and detail, you’ll absolutely love this amplifier. Sound staging, resolution and timbre are also fantastic, as you would expect.

A pre/power amplifier combo is the only way to go if you are looking to seriously improve your systems performance and currently use an integrated amplifier. This Accuphase P-360, partnered up with say a C-270 will obliterate any integrated amplifiers I’ve heard, including Accuphase models. There are simply too many compromises in an integrated, mostly related to space and packaging.

Accuphase P-360
The Accuphase P-360 proudly sitting in my system. Wood side panels are perfect, no scratches or dents.

As mentioned, I reluctantly need to move her on to make way for my next amplifier, arriving in a couple of days. This end-game piece is another Accuphase model, and details are coming, so stay tuned for that. I will be acquiring more equipment to work on, document and sell as it builds my experience base and makes for great content, so stay tuned for more of this sort of thing.

Accuphase P-360
She’s in almost perfect condition, more easily visible in person, but the photos convey much of it.

Accuphase P-360s is a premium, compact power amplifier capable of driving any speaker and sells for around $3,000 – $4,000 AUD, when you can find one, and 3,000 – 4000 Euro in Europe where they are more common. These are typically un-overhauled prices. This unit has been converted to 240V operation and comprehensively overhauled and serviced only a few months ago.

I’m offering this Accuphase P-360 for $4,250. That price includes a 3-month warranty, try getting that on another P-360. If you find a better or fairer deal, please let me know. If you’d like it, I’d love to sell it to you, preferably to someone who is already a customer so we can keep her in the family!

As often happens with the equipment I sell, I’ve had some interest prior to listing her, so if you’d like her, let me know as soon as you can. I’ll respect the order in which I receive enquiries, so don’t stress. There is never any pressure to purchase and I always look after people in terms of the order in which they contact me. Local sale preferred.

UPDATE: SOLD, for considerably more than the asking price. Thank you to her generous new owner and long-term customer!


Stunning Sony CDP-X7ESD CD Player

Well friends, the time has come again for me to cull some more of my favourite pieces from my collection, and this time it’s my reference CD player for the last few years, my much-loved Sony CDP-X7ESD.

UPDATE: Sold, within an hour of listing, thanks George!

Many of you will know how much I love these players that were the top of the line for Sony back in 1989 when they still made serious equipment like this. I’ve written about them here for example and worked on many over the years, including the beauty you see here, which I recently serviced and runs perfectly.

Sony CDP-X7ESD

Now, if you’re wondering why I’m selling pieces like this wonderful CD player, that’s easy to answer. This is why:

Accuphase DP-90
Accuphase DC-91
There is only so much of this stuff that one can/should own. My recently acquired Accuphase DP-90 and DC-91 are, of course, better than the Sony, described as “Absolute reference caliber, and a perfect 10 in my book” in the Stereophile review of the time. This 50kg pair should be better though, costing as much as a good car when new. You’ll note my commitment to Redbook CD, but as much as I love her, I can’t have equipment like the Sony sitting around gathering dust, so she has to go.

Sony CDP-X7ESD Specifications

Courtesy of HiFi Engine

  • Disc format: CD
  • Digital converter: PCM58P-S
  • CD Mechanism: KSS-190A
  • Frequency response: 2Hz to 20kHz
  • Dynamic range: 100dB
  • Signal to Noise Ratio: 115dB
  • Channel separation: 110dB
  • Total harmonic distortion: 0.0015%
  • Line output: 2V
  • Digital connections: coaxial, optical
  • Dimensions: 470 x 125 x 375mm
  • Weight: 17kg
  • Accessories: remote control
  • Year: 1989

The Sony CDP-X7ESD uses the legendary and incredibly long lived Sony KSS-190A almost all metal mech and glass optic laser, same as used in the sublime Accuphase DP-81L for example:

img 1106
The sublime Accuphase DP-80L. What mechanisms did Accuphase always use? Sony, of course.
img 1107
And here is the money shot including that incredible Sony KSS-190A mech, including one of the smoothest loaders I’ve ever experienced on a CD player, smoother even than my Accuphase DP-90.
Sony CDP-X7ESD
Here we see the insides of my Sony CDP-X7ESD. You’ll note the same Sony KSS-190A mech and of course the superb build quality, copper plated chassis, glass fibre boards and transformer coupled output stage, 17kg of true Sony goodness.

My personal Sony CDP-X7ESD has been very well cared for as you’d expect of anything I own. I’ve serviced this player, it has new drive belts, everything is clean, serviced etc.

Sony CDP-X7ESD

This player is in almost perfect condition, with no dings or damage to the wooden side panels. She has a few light scratches on the top surface, to be expected at this age 35 years old. In most lighting conditions these cannot be seen.

Sony CDP-X7ESD
Beautiful and unmarked front panel, with smooth-as-silk loader.
img 1119
There a few scratches, but these are light and not easily visible under most conditions.
Sony CDP-X7ESD
Side panels are in excellent condition
Sony CDP-X7ESD
Sony CDP-X7ESD
Like all really serious hi-fi equipment, balanced outputs are required, and present on this high-end Sony machine.
Sony CDP-X7ESD
The original Sony remote has seen little use I suspect.
Sony CDP-X7ESD
For those wondering, NO, the Sony TAN-77ES power amplifier in the background is not also for sale!

The CDP-X7ESD has single-ended and balanced outputs, plus digital outs for use with a DAC. The balanced outs sounds wonderful, smooth and warm as you’d expect of a player of this calibre. Those wanting the very best performance however might consider using her with a really good external DAC, like my Gustard A-26, Accuphase DC-91, Denafrips Pontus 2, etc.

Keep an eye out also for my Gustard A-26 DAC, an absolute stunner in sonic terms, easily the best stand-alone DAC I’d owned until my DC-91, also available in the store. Naturally, both of these sound better when powered by my IsoTek EVO3 Genesis One Mains Power Conditioner/Regenerator, also available here in the store.

This absolutely gorgeous, copper plated and near entirely metal CD player is a real beauty and is of course built like almost nothing else these days anyway. She comes with a factory remote, recently serviced and can be yours for $2,500 AUD. I’ve had a lot of interest prior to listing this player, so if you’d like it, get in touch as soon as you are able.

UPDATE: Sold!


Gustard A-26 Dual AK4499EX Digital to Analog Convertor (DAC)

It’s not often that I get excited about Chinese hifi gear folks but this is certainly an exception. Those who follow modern DAC production will know that there are a ton of interesting products out there, but very few pique my interest enough to make me want to buy one.

UPDATE: Sold, within an hour of listing!

Gustard A-26

This unit was purchased new, by me, about 1 year ago and has been used an enjoyed. The A-26 is easily the best standalone DAC Ive used in my system until purchasing my current reference, the Accuphase DC-91.

Gustard A-26

This Gustard A-26 has epic, deep bass, super beguiling mids and a lovely airy top end, incredible really for the $2,500 AUD retail price. You can read much more about the A-26 on the Gustard website. This thing uses dual AKM4499EX DAC chips, some of the absolute best sounding chips ever made. It has a high precision internal clock and the ability to input a precision external reference 10MHz clock signal. It will handle DSD, MQA, PCM to 768kHz, etc, etc, etc. Certainly a state of the art DAC for a very reasonable price.

Suffice it to say this is a serious and a beautiful sounding DAC and heavy hitter. Again, I’m only selling because I have another much more expensive DAC and I need to move equipment on rather than collect it. From personal experience here, this DAC crushes many others, and I mean MANY!

They love it over at Audio Science Review too and if you love measurements almost more than listening to equipment, that might make you very happy! Seriously though, Amir does an excellent job documenting the important measurements that so few others capture, important work, no question.

Gustard A-26
Original remote included, can’t find USB cables…
Gustard A-26
Balanced out, like all proper modern hi-fi equipment.
Gustard A-26
The display being partially obscured is an artefact of the imaging. She’s 100% perfect!

I’m selling this lightly used example with remote and power cable for just $1600. I promise that if I can find any of the cheap digital cables it came with I’ll include them, but you’ll want decent cables with this thing.

UPDATE: Sold!


Perpetual Technologies P-3A DAC + Monolithic Sound Outboard Power Supply

Wow, check out this recently serviced duo! This lovely DAC and power supply pair can be used together, or the DAC can be used with its own supplied power supply.

UPDATE: Sold!

img 4031

Either way, they make a compelling pair, especially given that the Perpetual Technologies DAC has received the well-regarded Modwright modifications, expensive in their own right.

img 4032

The P3-A DAC was very well regarded and reviewed when it launched in 2001. You can read what Stereophile thought about it, but in a nutshell, they found it to be one of the best-measuring DACs they had ever tested.

img 4033
The Modwright mods are not something I really care about, because I know exactly what they are. But, if you have to pay for these, they would be more than the cost of the DAC, so the included value is significant.
img 4034
The external power supply is quite impressive.
img 4035
Not a bad effort, someone cared about how this power supply turned out

This classic vintage DAC and power supply are a one local owner pair, in original boxes, with paperwork. Sold together for just $395.

UPDATE: Sold!


Lovely Hitachi HT-460 direct-drive fully automatic turntable!

Wow, this one-owner beauty is almost perfect! Just repaired and serviced, she runs like new and is a really solid machine, typical of Hitachi gear of the time.

Hitachi HT-460

The HT-460 is the equivalent of something like a Technics SL-1600 in terms of functionality, specs and so on.

Hitachi HT-460 Specifications

Drive system: DD full auto
Motor: non-commutator DC servo motor (uni-torque motor)
Platter: Aluminum die casting
Wow and flutter: 0.03%(WRMS)
S/N ratio_ 74dB(DIN-B)
Tonearm: Stylus-force Direct-reading type static balance type pipe arm
Arm effective length: 220mm
Stylus-force range: 0-3g / 1 rotation (being a 0.2g step Direct reading)
Supply voltage: 240v
Power consumption: 4W
Dimensions: W 450x H 141x D of 367mm
Weight: 8.3kg

Hitachi HT-460

I love the fully automatic operation here, allowing for set-and-forget operation, for each side of a record at least!

Hitachi HT-460

Hitachi HT-460

Incredibly, this is another one-owner-from-new machine, kindly donated to us for repair and sale. Thank you to her previous owner, let’s find her a new home!

img 0070

This Hitachi HT-460 direct-drive turntable comes freshly serviced and partially overhauled, with the original Hitachi MM cartridge and owner’s manual. Other cartridge options are available upon request.

Grab this beautiful Japanese-made classic for just $595.

UPDATE: Sold! with an Audio Technica AT-VM95ML line contact MM cartridge and AT-HS10 headshell installed for her lucky new owner!

img 0420

Beautiful Luxman SQ507X Integrated Amplifier

This rather special Luxman SQ507X is also looking for a new home. Unlike most, she’s not been tinkered with and contains all her original parts, ready for whatever her next owner would like to do with her. Also unlike most, this SQ507X comes with the original owner’s manual, warranty card and a selection of original period reviews. It is very rare to find the amplifier and paperwork together in this condition.

UPDATE: Sold!

The wooden cabinet looks like a million bucks, and she sounds stunning. Overall, she performs flawlessly, with a warm, punchy sound we expect of good gear like this. This SQ507X also has an effortless quality to it, with lovely detail resolution. Let me tell you, if you’ve never heard a really good older piece like this you ought to because you’ll no doubt be very surprised. Listening through headphones is just fantastic. Even though hi-fi equipment “keeps improving each year”, going back at least 50 ‘improvements’ would mean that gear from the early ’70s like this SQ507X would be absolute garbage and sound awful. Right…?

Wrong! This lovely amplifier sounds so damn good and I can confirm that when you listen to as much older gear as I do, the penny drops for most people. Marketing and advertising have a lot to answer for and I’ve explained this folly so often that I’ll spare you another one. Suffice it to say though that this Luxman SQ507X sounds awesome.

Luxman SQ507X
Just look at the depth and lustre in this wood after a treatment. Amazing.
Luxman SQ507X
Yes, it looks this good!
Luxman SQ507X
The toggle switches on these things always remind me of an aircraft or spaceship control panel!
Luxman SQ507X

This Luxman SQ507X cost $460 AUD back in the early ’70s and was a serious piece of equipment at the time. If anything, gear like this and the Sansui AU-11000 I recently sold only becomes more collectible due to raised awareness and appreciation, and the neverending barrage of modern plastic gear. The other good news, to use some amusing terms commonly found in Japanese listings, is that there is no gully noise! She is 50 years old though, so, as they say in Japan, “Please don’t buy if you are nervous!”. Not much to be nervous about here though.

These days, Luxman SQ507Xs often sell for around $1000 USD / $1500 AUD, plus shipping, and import duty (10%) from sellers you’ve never heard of and rarely in this condition and so carefully serviced and never with a warranty. If you’d like to adopt this one-owner original, with original documents, manual, serviced and with no shipping or import duty, she can be yours for $1650. Local buyers preferred.

Luxman SQ507X
Back in the early ’70s, Luxman gear like this came with a 5-year warranty. Super-expensive modern Luxman equipment comes with a three-year warranty. I guess they forgot to improve that bit.
Luxman SQ507X
Luxman SQ507X
Luxman SQ507X

If you’d like to know more about this baby, don’t hesitate to get in touch!

UPDATE: Sold!


Stunning Sansui AU-11000 Integrated Amplifier For Sale!

Well, folks, it’s not often that a legendary Sansui AU-11000 comes up for sale, let alone one that’s almost completely original, and that’s just received the deep maintenance and detailing of the calibre this lovely old girl has!

UPDATE: Sold, within 24 hours!

I hope you’ll agree that this gorgeous Sansui AU-11000 has turned out beautifully, after arriving here semi-dead after having sat in a closed repair shop for decades! Deep service and careful attention to and rectification of the areas causing trouble, without the unnecessary parts replacement so common these days have revealed what is a beautiful gem amplifier. This lovely old girl now runs perfectly and sounds great, and she looks very good for her age, I think you’ll agree.

She’s not perfect of course and whilst most bits are original, she’s had some previous work as I mentioned. Someone has melted one of the speaker terminals with their soldering iron (thanks for that) and there are some marks and scratches from it having kicked around for decades in a workshop environment less carefully managed than my own. Overall though, this is a very clean, honest amplifier.

Sansui AU-11000
Here, I’ve added the power switch toggle, though it’s still not glued in place. I’d challenge anyone to notice anything untoward here.
Sansui AU-11000
What a gorgeous piece of equipment. Thank you, Sansui, this is how it was done.
Sansui AU-11000
Note the original shorting plugs and tag, plus adjustable cartridge load and sensitivity for tweakers! Note the uprights for cables to be neatly behind.
Sansui AU-11000
Same on this side and note the melted speaker wire hole thing. It all works and you can’t see it, so not a biggie. You’ll likely just use one set of speakers anyway, that is my advice with any amplifier like this.

This clean and mostly original Sansui AU-11000 integrated amplifier is now looking for a new home. I’ve had many people enquire about her and several offers, so to be fair to everyone, I need to advertise her because not everyone may see this right away. If you’re interested, please get in touch and let me know your offer. Local buyers are preferred.

I’d suggest a sensible starting point for an AU-11000 in excellent original condition, from a respected source and having just received maintenance of this quality and not being filled with Leylon or Suntan caps is around $2,500. All sensible offers will be considered.

UPDATE: I’ve received two really good offers so far, get in touch if interested before she’s gone.

UPDATE: Sold, within 24 hours!

Sansui AU-11000
Sansui AU-11000

Don’t hesitate to let me know if you’d like to buy this Sansui AU-11000. Local buyers preferred.

UPDATE: Sold!

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