This Sony PS-8750 is easily one of the most beautiful turntables I’ve had the pleasure of working on. Come with me as I repair, service, upgrade and review this stunning deck.

There really isn’t much more I can say about the timeless beauty of the Sony PS-8750. Sony must have had some amazing design engineers working with them to be able to turn out a piece like this. The key thing to remember is that this deck dates back to 1975…!

Visually, this is close to the Kenwood L-07D as I think one of the best-looking decks of all time. The electronic and mechanical design elements are also very strong, as you’ll see as we dive into this repair.

Before you go further, check out the detailed video I made covering my service, repair and upgrade of the Sony PS-8750:


The Sony PS-8750 was/is a technological tour-de-force, featuring some interesting technologies. You can read about these in detail over at The Vintage Knob. Magnedisc and X-tal Lock are designed to keep the platter turning at the correct speed. This magnetic strip trick was also used by Denon in their decks. From the Vintage Knob:

Sony PS-8750

“The X-tal compares the reading of a barium-ferrite magnetic strip printed inside the platter’s rim with a Quartz oscillator to further insure speed stability.”


The PS-8750 is also fitted with a ‘special’ mat. This mat consists of a thin rubber skin, containing a very thick oil, designed to dampen out vibrations. Sony also fitted the PS-8750 with an SBMC base (Sony Bulk Mold Compound), a proprietary compound not dissimilar to the ARCB synthetic marble Kenwood used in the KD-500/550 and KD-600/650 series of turntables.

The deck has a very high-quality motor-driven arm return mechanism, a big direct-drive motor and a very generously sized transformer. The smoked acrylic lid even has an anti-static treatment which helps the tracking accuracy of the ultra-low tracking force cartridges the PS-8750 is designed to use.

The arm pipe and headshell are carbon fibre to suppress resonances and the arm’s pivots rest on two sapphire bearings – no kidding. All in all, the PS-8750 is superbly specified for any era, mind-bogglingly so for a deck from the mid 1970s. Nothing touches Japanese classics like these in my opinion and nothing will ever be made like them again.

Specifications, courtesy of Vinyl Engine:

Type: semi-auto record player
Platter: 32cm aluminium alloy die-cast
Motor: AC servo-controlled motor
Drive system: direct-drive with crystal-lock
Speeds: 33.33 and 45rpm
Pitch control: +-4%
Wow and flutter: 0.025% WRMS
S/N ratio: 70dB DIN-B
Tonearm: Statically balanced universal
Effective length: 237mm
Overhang: 15mm
Tracking force: 0 to 2.5g
Cartridge weight range: 3-10g (3-19.5g with extra weights)
Dimensions: 458 x 184 x 395mm
Weight: 14.2kg

Faults & Issues

This deck arrived with a variety of faults and her owner waited very patiently for me to get to the deck. It couldn’t play a record in the state it was in due to the following issues:

  • Crystal-lock broken
  • 45 rpm incorrect and non-adjustable
  • Damaged control board + trimpots
  • Non-functional strobe
  • Seized tonearm motor drive mech
  • Every element of tonearm setup incorrect
  • Low-quality cartridge of wrong type (T4P)
  • No stylus
  • The finger-lift fitted backwards
  • Warped factory Sony mat

Service & Repair

My approach is always to work through each problem element, one at a time, until I’ve resolved each one, or I reach an impasse. This is just how my brain works, and it helps keep everything logical.

With this Sony PS-8750, I started with the arm motor drive and associated systems. Next, I moved to the electronics, rectifying previous poor work and fixing some issues with the crystal lock board, switches and controls. Then I serviced the rest of the deck, the motor, set up the arm and cleaned everything. I fitted a new cartridge, headshell wires and mat, before final testing and readjustment.

I should mention that the misguided approach of replacing every capacitor without understanding the cause of a problem is proven futile by this PS-8750 example. In this case, the capacitors tested perfectly, after 40 years. They are completely unrelated to any speed or other issue in this deck and fixing the actual problems fixed those issues. By extrapolation, I suggest that capacitors are unlikely to be the cause of similar faults in other PS-8750s, despite what you might read in forums.

This is a very time-consuming repair, service and upgrade, but well worth it, so let’s go!

Arm Mechanics

Sony PS-8750
My first proper look at this beautiful machine. Wow.
Sony PS-8750
Sony PS-8750
Very impressive design and neat layout. Sony spared little expense with the layout of the PS-8750. Note the filter capacitors and large transformer, superb quality arm-drive mechanics and separate boards for each functional circuit block.
Sony PS-8750
Getting the arm drive mechanics working again was my first priority. The belt is worm, and the wrong size. The drivetrain needs disassembly, cleaning and lubrication.
Sony PS-8750
Note the oxidised, congealed grease on the main worm dive gear. This drive gear assembly is serviceable, via a tiny ‘Jesus’ circlip and two impossibly small washers. I’m somewhat used to parts of this scale from servicing cassette decks.
img 2252
Disassembled, the worm drive gear slides off the shaft and everything is accessible for cleaning and lubrication. It’s important to use glide bearing type synthetic lubricant after cleaning every trace of dried lubricant from the worm gear and shaft.
Sony PS-8750
Sony PS-8750
Everything reassembled, oiled, greased and I’ve installed a new drive belt of the correct specs.
img 2596
It’s difficult to see against the white nylon gear, but I’ve cleaned and lubricated the cam, all drive and driven gears and other pivot points, using a range of appropriate greases and oils.

Control / Drive Electronics & Strobe

Sony PS-8750
This is the main control board, before removal. Note: all capacitors are original and all are perfect. Yes, I could have replaced them, but the customer requested I service and repair the deck, not restore it. Note the speed trimpots have been replaced, poorly, as you’ll see…
img 2259
Not good. It might be tricky to see, but these pads are lifted, several are floating and broken and this accounts for the inability to adjust the deck at 45 rpm via the trimmer.
img 2260
More flux, someone messed with these connectors. I assume this was because they couldn’t figure out what was wrong with the deck.
Sony PS-8750
I pulled the crystal-lock board and worked on it at the same time. After assessing the schematic, I removed and tested components important in the motor drive and speed control circuits.
img 2262
To repair the trimmers, I removed them along with every broken bit of trace and pad. After cleaning and revealing fresh copper, I resoldered the trimmers and made jumpers where needed. The trimmers are now bonded to clean, firm copper and this section is now electrically and mechanically perfect.
img 2264
This transistor is an important part of the drive circuit. I removed it for testing and remounted it on a premium TO-66 silpad.
img 2266
This is the finished crystal lock board, after a lot of testing, rework, resoldering a number of critical vias and de-fluxing.
Sony PS-8750
And here it is back in the PS-8750. Note the re-mounted 2SC1341.
Sony PS-8750
A closer view. By the way, these premium Elna capacitors measured so well, they were better than some new parts I had on hand just in case.
img 2598
I have hundreds of these TO-66 silpads. As you can imagine (TO-66 devices are rare), I get quite excited when I able to use one!
img 2265
The strobe runs off the crystal lock board, so fixing that will usually fix the strobe. In this case, someone had gone in there and messed with the neon. Somewhat stupidly, they had installed it backwards, so the reflector was effectively blocking the light output of the neon tube…
Sony PS-8750
Anyway, fixing the crystal-lock board fixed the strobe. Correctly orienting the strobe means it is now nice and bright! At this point, I’ve resolved all drive and mechanical faults with the deck, a great result.

Cleaning, Lubrication & Foot Repair

Sony PS-8750
The Sony PS-8750 looks clean, but I can make it even cleaner…
img 2404
The motor needs lubrication, best to do this first and let the cleaning remove and fingerprints, oil etc.
Sony PS-8750
This approach removes the light coating of grime from everything and protects and shines the surfaces.
Sony PS-8750
It’s time-consuming and detailed work, but worthwhile.
img 2408
Much better
Sony PS-8750
The PS-8750 looks great now.
img 2411
This foot came apart, I repaired it with a fast-setting clear epoxy.
Sony PS-8750
Probably stronger now than new!

Upgrades & Set-up

Sony PS-8750
Now the really time-consuming stuff – all the fine tuning, set-up, adjustment, testing, re-adjustment, re-testing…
Sony PS-8750
The supplied T4P cartridge was completely wrong for this deck, incorrectly fitted and needed a stylus. I advised the customer on a few cartridge options and, given that I am able to do some pretty good deals on Ortofon gear, I supplied him with a superb Ortofon 2M Black, at a very competitive discount on the $999AUD retail price.
img 2397
I removed the puny Sony headshell wires and installed a nice set of Audio Technica replacements. This is a massive improvement, well worth it with a deck and cartridge like this.
img 2398
img 2399
img 2400
Beautiful, and the 2M Black sounds a million bucks on this deck.
Sony PS-8750
Arm height needed adjustment, as dis the bearing itself, the lateral weight, anti-skating, arm lifter etc.
img 2402
This is the arm height adjuster, for setting vertical tracking angle, the thing Rega think doesn’t matter…
Sony PS-8750
Sadly, the trick Sony platter mat is warped beyond usability now. I fitted a premium dark cork mat that I think looks a million bucks. Sonically, this is also probably an improvement and it is dead flat, which we want.
img 2436
This is the tedious stuff that few others do and that makes all the difference. Setting the vertical tracking angle or VTA is extremely important, more so when the cartridge in use has a Shibata diamond.
img 2583
And tracking force, again…
img 2437
Time for another test
img 2438
img 2440
The Sony PS-8750 looks and sounds fabulous. Note the now adjusted anti-skate and lateral balance weights.
Sony PS-8750
I know, I want one too…

Sound & Final Thoughts

So people have been asking me what I think about this beautiful Sony PS-8750. I honestly think it’s a wonderful machine. I listened to this one several times while I was testing her and she sounded fantastic.

Immediately obvious to me, fitted with a new Ortofon 2M Black cartridge + Shibata stylus and quality new headshell wires, is the air, space and detail present. The cartridge/deck combination has a lovely relaxed sound to it, with great depth and scale. This is likely to be a non-fatiguing combination over the longer term and the sound will only improve as the cartridge breaks in.

img 2586
Here are some final views of this wonderful PS-8750. I think the cork mat really adds something.
Sony PS-8750
I really ought to clean this second work area…
img 2588
Love the smoked acrylic lid.
Sony PS-8750
Sony PS-8750
Sony PS-8750
Sony PS-8750
Sony PS-8750
If you find one of these for a sensible price, grab it.

The arm is very adjustable to suit the cartridge you use with it. Azimuth, arm height, arm lifter, lateral weight and of course the standard adjustments are all possible with this deck, and you need them to get the most out of a good cartridge. In terms of the deck itself, for me, it’s an absolute winner in terms of looks, sound and value.

I’m not sure what these decks go for now, but if you could get one for say $1500 – $2000AUD and spend a little on a nice cartridge and careful service and set-up, you’d have a heavy-hitting turntable. Nothing new at these prices comes even close. When you factor in the engineering and tactile quality of the Sony PS-8750, with such smooth and solid-feeling controls and switches, it has few peers stylistically and sonically. I’m sure her owner will be very happy to have her home!

If you’d like me to look over your Sony PS-8750, or any other turntable, don’t hesitate to get in touch!

Sony PS-8750 Direct-Drive Turntable


Build Quality




Sound Quality




Bang per Buck



  • Superb build quality
  • Styling & wow factor
  • Very low wow & flutter
  • Lovely tonearm
  • Scalable & serviceable


  • Platter could be heavier
  • Sony mat warps
  • Tonearm not upgradable

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11 thoughts on “Stunning Sony PS-8750 Turntable Repair, Service, Upgrade & Review”

  1. Yet another fascinating repair/review of a classic deck from the Golden Age of Analogue audio.

    So nice to see someone take pride in their work and sharing the passion of lovely sounding audio from yesteryear.

    1. Hi Lew, good question, the motors in decks like these are usually brushless, coreless and slotless, but I can’t recall specifics for this deck. Lovely decks in every way though, a real beast of a machine, just beautifully made.

  2. Wonderful images, thanks for sharing! I’m looking into buying one myself. I was wondering how much time and effort went into repairing the quartz lock circuit.

    1. Thank you, much appreciated. I highly recommend the PS-8750, I’ve repaired a couple more since then and mostly gotten my head around the issues with these machines. There’s some unit-to-unit variation, but each one I’ve worked on has needed a good few hours and some specialist knowledge to get it running nicely again.

  3. Just came across this repair. I left an email message about my beloved turntable gifted to me when I was 15 by a mad hi fi lover. Would so love to get it working again.

    1. Hi Mark, thanks for your comment. I’ve repaired a few of these lovely decks, including a couple deemed unrepairable, and would be happy to look at yours, too. I’ll respond to your email and we can go from there.

    2. Just came across this great site today. I sold this turntable at a high end store whilst in university. I also sold its predecessor, the venerable Sony PS-X7. It had a much simpler design, but it had the BMC plinth, a carbon fibre tone arm, the unique oil-filled mat, AND it had oil-filled feet that were better than the feet on the PS-8750. All of us at the shop thought it sounded better than the PS-8750, and it also sounded better than the Linn LP-12’s we were selling!

      1. Hi, thanks for stopping by, I’m glad you discovered my site and enjoyed that article! There’s a ton more vinyl content if you click a few topics/tags, it’s still my largest equipment category I think. You are quite right, the PS-8750 and PS-X7 are superb decks and like so many other wonderful Japanese machines, often overlooked in favour of machines the British press pushed especially. Marketing pressure is a very real thing in this industry and something I’ve pushed against for years. The scandal of how the LP-12 and others became so popular, given the alternatives available but largely kept secret, never ceases to amaze me!

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