Join me as I repair and service a beautiful and iconic Nakamichi 670ZX cassette deck.
The stand-out point to mention here is that this work took place over six years. That’s right, six bloody years! This is absolutely ridiculous and only acceptable because it happens to be MY Nakamichi 670ZX, part of a collection that includes the incredible Pioneer CT-F1250 I repaired recently and my gorgeous Pioneer CT-A9X. Welcome back and season’s greetings!
I wanted to include a couple of cassette deck articles this year for variety’s sake. Some may wonder why I even have cassette decks or write about them in 2024, legitimate ponderance, for sure. Part of me says “I don’t know” but it’s a bit like playing records or owning a mechanical wristwatch. It comes down to the pleasure of repairing and owning beautiful pieces of equipment like these that will never be made again, and the satisfaction of playing tapes with them.
By the way, I’m not a Nakamichi specialist in terms of offering overhauls on decks like my 670ZX, commercially. I’m a lover and owner of classic cassette decks and I do still offer standard service for machines like the 670, however. I occasionally overhaul decks like this Pioneer CT-A7 but I do so sparingly, knowing few others do this type of work any more. This article is more about sharing an interesting story and perhaps a little cassette deck inspiration 🙂
Background
That I finished this job in December of 2024 when I acquired this deck in late 2017 is a perfect example of how our own equipment is often last in line. There is always so much else to do when running a business and I’m sure others can relate to this. I have many other pieces like this to attend to, my Kenwood L-07DII is another example…
Anyway, I was contacted back in 2017 by a gentleman who told me he had a collection of electronics, parts and equipment he wanted to offload and wondered if I would like to make an offer on it. I got together with my friend Jason (The Speaker Doctor) and we drove over for a look.
The guy had a ton of stuff including this almost pristine but broken Nakamichi 670ZX and some other stuff including broken power supplies and a Lenco turntable. I made an offer to take the lot, which he accepted. I started working on the 670ZX in January of 2018, in my original workshop, so you’ll see some old images from before I set up my big second workshop.
I got lots done initially, including replacing rear belts and idler tyre, overhauling and lubricating the entire mech, fixing stuck meters etc. What stopped me though, and one reason I generally don’t overhaul customer Nakamichi cassette decks was the pain of having to remove and service the seized pinch roller assemblies, one of many issues that can be lurking in decks like this.
After completing everything else, realising the pinch rollers were seized on their pivots as they often are, and knowing the time needed for further disassembly and resolution, I put everything in a box and left it until October of 2024, when I finally pulled it all out again intending to finish the job. That brings us to December 2024, and I finally have finished this epic repair. Thank goodness!
Features
Nakamichi cassette decks generally need no introduction. This iconic Japanese manufacturer made a range of ground-breaking machines over the years, some better than others, but most very lovable in their own way. This 670ZX was a fairly serious ‘Nak’ back in the day, with three discrete heads, variable record-head azimuth, trimmable bias, level and EQ for all tape types, and a lovely smooth mechanism, albeit with a bit too much plastic for my liking.
The 670X was a midrange machine for Nakamichi, but that was far above even the highest-level offerings from many other manufacturers. It perhaps lacked a few features found on other machines, but that said, like the other three head Naks, this deck has features that allow it to make superb recordings and extract the most from cassette tapes. That’s why people spent the huge amounts of money needed to acquire decks like these.
I perhaps have a slightly different perspective on Naks. Some imagine that all Naks are incredible, but the 4xx and 5xx series for example are some of my least favourite cassette decks. What really sets the better Nakmichi decks apart though is how they sound and this is why many folks are still drawn to them, myself included.
Forget the somewhat over-rated Dragon, the only one many seem to remember. The 670ZX, 682ZX, 1000ZXL, ZX-7, ZX-9 and CR-7, amongst others, are some of the finest sounding and performing decks ever made. I owned a ZX-7 years ago but sold it. That was clearly a mistake!
Other cassette decks are easier to work on, less prone to 6-year-break-inducing pinch-roller seizure and idler tyre issues and have more robust head designs. Still, the pressure-pad-lifting, dual-capstan, discrete three-head Nakamichi designs really do extract the max from cassette tapes.
Nakamichi 670ZX Specifications
Adapted from and courtesy of HiFi Engine
Type: 3-head, single compact cassette deck
Track System: 4-track, 2-channel stereo
Tape Speed: 4.75 cm/s
Heads: 1 x record, 1 x playback, 1 x erase
Tape Type: type I, type II (CrO2), type IV (Metal)
Noise Reduction: Dolby B
Frequency Response: 10Hz to 22kHz (Metal tape)
Signal to Noise Ratio: 66dB (Dolby B)
Wow and Flutter: 0.04%
Total Harmonic Distortion: 0.8%
Input: 50mV (line)
Output: 1V (line)
Dimensions: 482 x 143 x 340mm
Weight: 9kg
Accessories: optional remote control
Year: 1979
Service & Repair
I’ve probably bored you to death with the history so I’ll keep further details reasonably brief and mostly visual. In a nutshell, repair and service on this Nakamichi 670ZX occurred in three stages:
- Mech disassembly, service, rear belts and idler replacement (2018)
- Seized meter removal and service (2018, 2024)
- Pinch roller removal, service, front belts replacement, transport shut-off lamp replacement, reassembly (2024)
Let’s go!
Initial Work in 2018
At this point back in 2018 I stopped and got busy again with a whole new series of customer jobs for the new year. It took me more than six years to come back to this job but I’m glad I did. Let’s continue.
2024 Continuation
And that, my friends, is this job completed. As time allows, a full electronic adjustment will follow.
Results
Well, what an epic and albeit extended repair this was, but well worth it as I’m sure you’ll agree. This lovely old Nakamichi 670ZX now runs perfectly once again and sounds fantastic. When I can be bothered, I’ll complete an electronic calibration, but for now, this one will go back into my collection.
I do offer general service of Nakamichi cassette decks, but I want to reiterate that the deepest service work you see here is unfortunately not something I have the time or energy to offer as a general rule. I find that the amplifier and turntable work I do is more than enough to keep me busy without adding major cassette deck overhauls into the mix.
Once again, thank you for visiting and I’ll see you again before Xmas!
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Another 11/10 presentation Mike.
How many man hours would have gone into making these decks?
My wife owned a BX-2 I think it was years ago. It was left with a repairer because the cost to repair it was high at a time when CDs were the future. A bit like SACD players now with the advent of streaming in HD?
I bought a Nakamich item a number of years back not appreciating that the original company went into liquidation. It was made in Malaysia.
Good to see you ‘back on deck’.
“All hands on deck” as they say in the NZ navy.
Merry Xmas
Hi Steve, thanks for your thoughts and Merry Christmas! I agree, these things were intricate to construct and the high manufacturing costs were partly responsible for the failure of many of these iconic brands. Nakamichi is still around in name only, owned by Chinese interests.
I Have a 1985 Nakamichi Dragon in France, which only gets used a few times a year,
because I also live in Florida. (And also because my Quad speakers don’t work now.)
In the last few years, I’ve noticed that when I turn it on, put a tape in, press the play button, nothing starts moving. But if I just leave it turned on for an hour, then it works.
Oddly, I seem to remember that the same thing happens with the Dolby adjustment.
My “Womanfolk” looked at me as if I was stupid, and sarcastically said in a smug way,
“Well dummy, what do you expect? You convinced me that it would be a great life to
move up here to your homemade high alpine hut at 13,000 feet, and you nearly broke
my back by getting me to carry that contraption up here from the lower Hamlet!”
In my best scientific voice, I told her “Heck, the only trouble is that it’s 20° below zero!
How many times have I told you that if my faithful mule Molisa and Willy the goat stayed in the hut with us, that would bring the temperature up darn close to zero!!”
But noooo. She said that the animals would mask the smell of her French perfume!!
Jack R. Dec.10 2024
Thanks for sharing this one Jack and yes, low temperatures play havoc with lubricants, especially the older mineral-based types!
Thanks Mike for a very interesting and informative article on your Nak deck. I own two Nak decks, a ZX-7 and the Dragon. Must admit to not using them much these days, the Dragon has a problem with one drive belt but both sound great. Do you know of anyone who does work on them ?
Cheers, Ross
Hi Ross, thank you, and two lovely decks you have there! I do provide standard services on Naks like the ZX-7, but if are you talking about mechanism-out work on a Dragon, try my friend Jason @ The Speaker Doctor.