Should I buy a cheap phono preamp?

Sure, but only if you understand the inescapable relationship between price and performance, which is especially obvious with ‘small signal’ audio, like vinyl.

There is enormous variation among phono preamplifiers, and sound technical reasons why the best phono preamps, ie not Cambridge Audio, Gold Note, NAD, Pro-Ject, etc, are genuinely expensive. The quality of parts, engineering and execution found in the best phono preamps is extraordinary, and they need to be, given the extraordinarily small signals and high gain requirements. Anybody working in studios, with microphones and mic preamps, understands this only too well.

Cheap = cheap, and cheap phono preamps really only serve the function of adding vinyl playback to affordable systems that don’t already have it, where sound quality doesn’t matter. If this is your use case and you don’t mind the ordinary performance delivered by cheap phono preamplifiers, then no problem, I have no issue with that.

That use case does not reflect most vinyl lovers, however. For those who DO care about the sonic results and love the high-resolution performance of vinyl, cheap phono preamps are a terrible option. They sound coarse, grainy, noisy, thin, unrefined, veiled, lack dynamics and possess narrow soundstages and poor imaging. People worried about this really should reconsider a cheap phono preamp purchase.

What constitutes ‘cheap’? For me, anything under $300 is not worth buying, unless you literally cannot save up for anything better, or it’s for background music use only. Spending $500 – $1000 brings improved performance, but should be approached with caution. Between $1K and $3K, things improve significantly and over $3K there is potential to acheive really excellent perforce, especially when looking at pre-owned gear.

When buying new, avoid anything with Prolink, Beringer, Pyle, etc on it, unless you want a steaming ‘pyle’ of sh…! Pre-owned equipment is a different story. $1500 will buy you a $7000 Accuphase AD-290 phono module, below. You’ll still need a rather more expensive Accuphase preamplifier to run it in, however, but you get the idea.

Accuphase AD-290
Accuphase C-290
This gold box is my current phono preamplifier, my Accuphase AD-290, from around 1993. It resides inside my C-290 preamplifier behind it. The current version of the AD-290 retails for around $7000 AUD. When you hear it and see inside, you’ll understand why, and why they make an even better and more expensive phono preamp than this!

OK, I know you want to see inside…

Accuphase AD-290
The antithesis of a cheap phono preamp, my AD-290. Extraordinary parts and build quality, dual-mono design, gold-plated lab-grade Teflon boards and connectors, premium FETs and BJTs, hand-made Japanese resistors, precision EQ elements in shielded metal cans, etc. This is where the money goes in a good phono preamp, and you must pay for it.

Here’s a look at a later Accuphase AD-2820, courtesy of one of my customers, from around 2011:

Accuphase AD-2820
Again, $7k, beautiful gold-plated boards and supreme construction. I slightly prefer the earlier AD-290, no SMD parts or ICs in that one, and a slightly more impressive power supply, but the design and execution here are flawless, as one would expect of Accuphase.

Wanna see an even better phono preamp? Try the new Accuphase C-57:

Accuphase C-57
Just released, May 2025, and a cool $22,000 AUD, thank you very much! There’s nothing better than this in mainstream hi-fi.

Discover more from LiQUiD AUDiO

Subscribe to get the latest posts sent to your email.

Scroll to Top