Take a look at this beautiful Accuphase AC- 2 moving coil cartridge. It belongs to a customer, has a broken cantilever and will soon be repaired!
The Accuphase AC-2 is a high-performance moving coil cartridge from 1980 utilising a tubular sapphire cantilever and line contact diamond. Needless to say, jewelled cantilevers like those made from ruby, sapphire and diamond are fabulously stiff…
BUUUUT… stiff in engineering terms also means brittle. Think of a thin glass tube. Like glass, jewelled cantilevers break easily when excessive axial forces are applied to them.
Broken cantilevers are common, jewelled ones especially, often as a result of mistaken attempts at cleaning. Sadly, someone broke this AC-2 cantilever but the good news is that this type of damage can be repaired.
There are several experts in the field of cartridge repair. This AC-2 is being retipped by Soundsmith in the USA, one of the best. They are fitting new sapphire cantilever and line contact stylus, as per original Accuphase spec and my recommendation. I also use Garrott Brothers here in Australia. They did a great job retipping my Fidelity Research MC-202 for example, and an FR-1 for a customer of mine.
Accuphase AC-2 Specifications
As always, courtesy of Vinyl Engine.
- Generating element: moving coil
- Output voltage: 0.18mV
- Frequency response: 20 Hz to 60 kHz
- Channel separation: 30dB
- Channel balance: 0.5dB
- Internal impedance: 4 ohms
- Load impedance: higher than 50 ohms
- Vertical tracking angle: 20 degrees
- Compliance: 15 x 10*6 dyne/cm
- Stylus type: line contact diamond
- Tracking force range: 1.5 to 2.5g
- Recommended tracking force: 2.0g
- Weight: 9.5g
It goes without saying 0.5dB channel matching and 30dB separation are extraordinary specifications. If you look at the supplied frequency response graph for this AC-2, you’ll see that it’s almost ruler-flat from 20Hz to 20kHz. Who says analog equipment is coloured..?! Oh, that’s right, people who forget that microphones capture all the music we love!
Features and Compatibility
The most critical features of the AC-2 are that tubular sapphire cantilever, samarium cobalt magnet assembly, die-cast body and line contact diamond.
Various design elements come together to make a cartridge sound clean, agile, fast, airy and so on and the AC-2 is imbued with these desirable sonic attributes. A stiff, low-mass cantilever plays a big part, as does that lovely, line contact gem.
Electrically, the low 0.18mV output and 4 ohm impedance mean it will match up well with most low to medium impedance step-up transformers. The measured output seems to be somewhat higher too, which helps.
A transformer is certainly the best way to extract the most out of a cartridge like the AC-2. An active MC preamp will need lots of gain and in my experience, is unlikely to have the air, speed or low noise of a transformer. If using an active MC preamp, I’d suggest 40 – 50 ohms loading as a starting point. Less will likely crush the life out of it.
Mechanically, the AC-2 is a medium compliance, medium tracking force design that will work well on low to medium mass tonearms. It will match everything from the lighter, lower mass arms from the late ’70s through to medium mass arms common now. Be careful with high mass arms. The resonant frequency is likely to be low and this can be very bad with a jewelled cantilever and heavy bass!
Have a look at these close-ups of the damaged AC-2 cantilever.
This part of the article is still to come but I’ll be posting updates and images of the repaired cartridge as in the next month or two.