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Stunning Esoteric P-2 CD Transport Repair

Join me this time as I bring this absolutely beautiful Esoteric P-2 CD transport back into service.

Welcome back, everyone. My apologies for the delay in new articles, but I’ve been managing my energy and trying to stay ahead of the curve! I’m staying focused, getting through a ton of work and limiting the jobs I book. One of those is this absolutely beautiful, though somewhat challenging to work on, Esoteric P-2 CD transport, from one of CD’s golden years – 1992.

I’ve worked on many TEAC/Esoteric CD players and transports over the years, including another P-2, a VRDS-25, a VRDS-10, the P-30 in the video below, and others I’ve forgotten. I’ve become quite fond of them, in spite of their quirks and some irritating design and service aspects.

Those quirks have led me to develop specific service procedures for VRDS players to streamline maintenance and reduce my pain. When I say they can be painful to work on, were not talking Nakamichi cassette-deck-overhaul-level pain, but extensive disassembly work is required in some cases and the disconnection of a myriad of sometimes fragile connectors.

A job like this Esoteric P-2 repair and service, takes a few hours, is rather fiddly and involves various ‘Jesus’ parts that cannot be lost or damaged. If unsure, don’t even think about diving into one of these. But is the work worth doing, though? Well, if it means keeping a high-end and irreplaceable transport that would cost tens of thousands of dollars now, alive, yes, of course, it’s a no-brainer, unless you happen to have a spare 10 or 20K lying around!

Esoteric P-2

Esoteric P-2 Repair Video

For those looking for a video to accompany this article, I’ve prepared this one for your viewing pleasure:

I hope you enjoyed that. Please leave a like and subscribe if you did.

Features

The Esoteric P-2 was made by TEAC for those unaware, part of their Esoteric ‘high-end’ division, which remains to this day. Esoteric still produces some really tasty hi-fi gear, like the Grandioso P1X SE, a CD transport and power supply costing just $65,000 AUD, from Krispy Audio!

The Esoteric P-2 is a CD transport, like the Rega Jupiter I currently have listed in the store. That means you need a DAC to use it, and this means a proper DAC, not a cheap streamer or sub-2K DAC, but a serious one, preferably one that weighs at least the 13kg this does.

Unlike some contemporary DACs like my Accuphase DP-90B, which features the balanced AES/EBU and super-high-speed BNC optical outputs, you only get standard coaxial ‘RCA’ sockets and TOSLINK optical digital outputs here. You get two of each, though, meaning you can make some interesting DAC and cable comparisons with an Esoteric P-2.

Features are predictably limited, but the usual track handling and remote control are standard. The P-2 also has one of the smoothest and quietest loaders of any player I’ve used, rivalling that of my old Sony CDP-X7ESD.

Esoteric P-2 Specifications

Courtesy of the Audio Database, adapted by Liquid Mike

Type:CD Transport
Digital output:Coaxial (2 systems) : 0.5Vp-p
Optical (2 systems) : -15dBm to -21dBm
Features:Direct Search: Track/Skip/Index/Time
Time Search: 10-key Input
Program: 40 prog. (RANDOM)
Delete Program: 40 prog. (RANDOM)
Repeat: 1/ALL/Program/A-B
Display: Total No. / Playing No. / Prog. No. / Index No.
Time Display: Each
Remain time Display: Total/Each
Power:100 VAC, 50/60Hz
Power consumption:10W
External dimensions:Width 225 x Height 134 x Depth 490 mm
Weight:13kg
Included:Wireless Remote Control

You’ll note the weight of the Esoteric P-2. Remember, it’s only a baby in terms of size, so this is one dense CD transport. Featuring an almost entirely metal construction and using a proper heavy-duty transformer, there is no switching power supply or plastic weight-saving nonsense here. What you get is a proper, old-school transport that’s built like a tank. Bravo, TEAC.

Issues

Like most TEAC/Esoteric VRDS machines, this one needed a deep service that had no doubt been put off for many years. My customer imported this unit from Japan, knowing that the tray wouldn’t open, and it therefore wouldn’t load a disc.

In practice, that meant that we didn’t know if it would read a disc, and the only way to find out was to complete the cleaning, lubrication, belt replacement and adjustment needed to give the player the best chance of running again.

With that in mind, I approached this same way I always do, looking at each block/element in order, deciding if it is go or no-go, and what additional work might be needed for each element. So, without further ado, let’s go!

Repair & Service

Let’s work through the process step by step:

Esoteric P-2
With the lid off, you’ll see the compact ‘half-width’ layout of the Esoteric P-2 and the very neat internals. This compact form factor creates service challenges, though. Like a lot of older gear, TEAC was partly able to make this one compact by sticking the transformer out the back, where it protrudes another 7 or 8 cm. Note the super-fluxey power supply board, on the right.
Esoteric P-2
And here is that transformer. Another thing to note: this is a special unit in the sense that it is a very low serial number piece, just number 23 of this run, which could even be the first production run! No AES/EBU digital output here, which is a shame.
Esoteric P-2
Side panels come off next, then the bottom panel. This allows access to that green power supply PCB at the top of this image, and the control/servo board on the bottom of the player.
Esoteric P-2
Here, I’ve removed the VRDS bridge, a direct drive CD platter that spins the disc from above. Careful handling critical here. Note also the white ‘residue’ on the loader. I was able to almost completely remove this with careful cleaning, as you’ll see later.
Esoteric P-2
With P-2 on her side, I remove the power supply for checking and any rework needed, and to gain access to the many connectors that need to be separated to release the servo board. This board was fluxey and needed some rework of pass/regulator devices, which is not unusual.
Esoteric P-2
This is a nice power supply, not at the level of an Accuphase DP-90 or similar Accuphase transport, but then nothing else I’ve seen is, so that’s not being harsh on the Esoteric P-2, just a reflection of the supreme build quality of the Accuphase. This is an excellent effort for a CD transport.
Esoteric P-2
A closer look at the Esoteric P-2 power supply. Multiple regulated rails here, board quality is fairly standard, no gold-plating or Teflon PCBs, for example. It’s also very nice to see almost zero kludges. I found just one on the servo board.
Esoteric P-2
Often overlooked, at the peril of the irreplaceable Sony KSS-151A. This shorting bridge must be installed when disconnecting the laser ribbon connector, and must be removed and cleaned up properly before using the player again.
Esoteric P-2
This bird’s nest of flat-flex ‘ribbon’ connectors is scary, but if one is careful, they don’t need to be disconnected. This is something I strongly advise NOT doing, ie, don’t disconnect flat flexes you don’t need to, but also don’t put ANY under any strain.
Esoteric P-2
Careful cutting of various cable ties and disconnecting about 20 connectors allows access to the two drive belts on the bottom of the P-2. Note my precision PCB lifter – my Swiss belt tweezers!
Esoteric P-2
I then carefully extracted the decomposed rubber belts…
Esoteric P-2
…And installed two new ones. I also always clean pulleys, lubricate motor shafts, pulley pivots, etc. I can assure readers that these steps are frequently omitted.
Esoteric P-2
I also always install new cable ties to replace those I’ve removed. These two are awaiting tightening.
Esoteric P-2
I mentioned doing some work on the power supply PCB. This is after that work and careful defluxing of the board. Compare this to how it looked initially.
Esoteric P-2
And back in she goes after reconnecting ten or so connectors.
Esoteric P-2
Next, I replaced the clamping mechanism drive belt and cleaned and lubed all associated parts, including the disc spindle and clamp actuator cam shafts you see here, drive worm and drive motor spindle. This is fiddly and usually overlooked work, because it takes extra time and knowledge to get right.
Esoteric P-2
Just like a cassette deck, there are a number of ‘Jesus’ parts…
Esoteric P-2
This is the Esoteric P-2 after all major work has been completed. I was recording video at this point, so I forgot to photograph the finished clamp/loading mechanism, but you can imagine what that looked like and watch the video for more, of course. I cleaned the Teflon linear loader bearings, rollers, cleaned and lubricated ground steel shafts and linear bearings, etc.
Esoteric P-2
The old belts and the removed cable ties. Not many parts are needed here. I keep these in stock, but in this instance, the owner supplied a set of belts he’d purchased. Naturally, I provide no warranty on customer-supplied parts, but my work is, of course, warrantied, and the supplied belts looked good.

Just a little more left to do now, mainly around cleaning the loader and polishing the lovely metal frontpiece.

Esoteric P-2
Predictably, these metal trim pieces tarnish (oxidise) over time, and a little cleaning really brings them up.
Esoteric P-2
Careful masking ensures things stay neat and tidy.
Esoteric P-2
Much better!
Esoteric P-2
And that, my friends, is this Esoteric P-2 CD transport repaired, serviced and running perfectly once again.

Results

Many readers will already know how different CD transports sound from one another and, therefore, how much difference a really good CD transport can make to a system. A high-quality transport like this or any other Esoteric/TEAC VRDS machine will significantly add to your enjoyment of Redbook CD, adding scale, nuance and air that lesser transports and integrated players miss.

Esoteric P-2

With that in mind, repairing and servicing a transport like this Esoteric P-2 is always sensible, and usually viable. This Esoteric P-2 CD transport runs as smoothly now as she did when she was new. The lasers in these and other machines using older Sony mechs are long-lived and usually not responsible for the issues these players face. Sadly, poor or absent maintenance, damaged flat-flexes and other issues usually bring these great machines down. If you have one of these that has issues, DO NOT throw it away, as they are often salvageable.

Esoteric P-2

The real issues appear when lasers die, but even then, there are rebuild options using new laser diodes in many cases. Remember, all hi-fi equipment needs periodic maintenance. Just try not leave it until too many things are damaged or broken, especially with cheaper players, because this can unfortunately tip the viability scales the wrong way, and then we have to pass on bad news.

Esoteric P-2
Love that freshly polished front trim piece!

Thanks!

As always, thanks for visiting, I hope you enjoyed this article and found it informative. If you’d like me to look at your TEAC/Esoteric P-2 or any other quality CD transport, don’t hesitate to contact us.

Footnote: This site is independent, ad-free, and everything is created by me, without help, and usually on ‘days off’! This one took me about five hours all up. Nobody pays me to create content, but it all helps the hi-fi community, my customers and my business, as well as some I’d rather not help, who take work, ideas and customers from me.

This is just the nature of things, and we can’t do much about it but be aware of it and support the right people. You can support me by booking in work, commenting, liking, sharing, subscribing, spreading the word and donating, using the button in the footer. There is a list of recent donors in the sidebar/footer. My sincere thanks for your support and understanding 🙂


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